Thursday 24 October 2013

Elizabeth I & Her People


Elizabeth I's reign is defined by the lives of those she reigned over. During her time cities boomed, the economy flourished and the world became that little bit less daunting thanks to successful exploration and trade.

This exhibition at the portrait gallery aims to convey the impact and success of the Queen, based on the people responsible for these endeavours. At first, it seems promising. We encounter hand-tinted maps and plans of London and grand portraits depicting the Queen's coronation. The curators even point out those people in the crowd who were responsible for her success as a monarch.

As we move forward, we are treated to a room dedicated to the image of Queen and how her people grew to recognise her. There is a lovely display of otherwise seldom seen portraits, a divine Frederick Zuccaro sketch and a selection of coins. This draws upon the relationship of the people to the Queen. The real focus of the exhibition- how those close to the Queen rose in power- is best demonstrated with portraits and artefacts in the third room. Elizabeth Talbot, Bess of Hardwick, William Cecil, Sir Walter Raleigh and the Duke and Duchess of Norfolk are all displayed, telling the story of how either charming or impressing the Queen could lead to vastly improved social standing.

After this, the exhibition goes downhill. The organisers have hereafter attempted to show the lives of the ordinary and how they were lived throughout Elizabeth's reign. Too much information, with not enough space or material to back it up, is added on to the end of the modestly sized exhibition almost as an after thought. You feel as though they should have stuck to telling us about the rich and powerful, which would have been interesting in itself. The rushed ending leads to huge oversights, such as William Tyndale, champion of the bible of the people, who gave the word of God to the Elizabethans, being omitted.

Despite this, the portraits are truly charming and give a real feel for the age. In particular the portrait of three Elizabethan children with their exotic pets, shows off beautifully the fashion for Dutch paintings and the impact of trade, as the children clutch their furry and feathered friends!


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